In the film we hear his interpreter Eugenia read to Gorchakov the text of a letter sent by Sosnovsky, a serf, describing his brutal treatment at the hands of his master. All rights reserved. Despite staying in Italy, his heart is filled with the memories and dreams of his motherland. Litvinovsky Music/ASCAP. 2023 Broad Street Review. His wife appears as the replica of Mother Mary. The family and dog, upon reaching the area in front of a hut, stop moving. In this shot, Tarkovsky brings the magnificent Russian countryside inside the Italian abbey church of Saint Galgano. A group of men enlist in corrective therapy. Eugenia asks the priest in the Church Why are women more devout than men? The priest replies A woman is meant to have children and raise them with patience and self-sacrifice. Eugenia asks again Thats all she is meant for? The priest replies I dont know. Tarkovsky holds women on such a high pedestal that in the dream sequences, Andreis wife and Mother Mary get merged into one woman as if all the women in this world are nothing but the replicas of Mother Mary. Tarkovsky wanted to portray the nostalgia and melancholia of Andrei. For this reason, historically, they have always been bad immigrants. [4], Several scenes of the film were set in the countryside of Tuscany and northern Lazio; as the Abbey of San Galgano, the spas of Bagno Vignoni, the Orcia Valley, in the Province of Siena, the mysterious crypt of the Chiesa di San Pietro (Tuscania) and the flooded Church of Santa Maria in San Vittorino of Cittaducale, in the Province of Rieti. Kovcheg, Minsk. It is a film in which I have managed to express myself fully. Joining Gorkachov on his journey through Tuscany is his interpreter, Eugenia (Domiziana Giordano), who develops an interest in her client that is more than professional. Inside the church, Tarkovsky and . Friday, August 14, $10, 7:00 He is deeply homesick and does not enjoy the rain. Back at their hotel Andrei feels displaced and longs to go back to Russia, but unnamed circumstances seem to get in the way. This acts as a metaphor to portray Andreis current state of mind. was broadcasted by: The project "Jazz Graffiti" (78 min. Kovcheg, Minsk. Kovcheg, Minsk. Trailer. BYA0108002, "Intovolatura". Andrei seems to cut his research short and plans to leave for Russia, until he gets a call from Eugenia, who wishes to say goodbye and tell him that she met Domenico in Rome by chance and that he asked if Andrei has walked across the pool himself as he promised. Sosnovsky too suffered from this. ISMN 979-0-804500-16-5, "Involatura" for guitar. A Russian poet named Andrei Gorchakov (Oleg Yankovsky) travels to Italy to research the life of the 18th-century Russian composer Pavel Sosnovsky who spent a few years in Italy and committed suicide after returning to Russia. ISMN 979-0-804500-14-1, "Faron" for clarinet. The film received nine total votes in the 2012 Sight & Sound polls of the greatest films ever made.[6]. Some of Chesnokov's works are available on recordings today, though typically they are found in anthologies or in instrumental arrangements. Gortchakov has travelled to Italy on an extended research expedition to retrace the emigrant journey of an acclaimed eighteenth century Russian composer named Pavel Sosnovsky who, despite achieving international recognition away from his homeland, eschewed fame and returned to the humble life of a feudal serf, only to sink further into despair . He tells Andrei We need bigger ideas. Litvinovsky Music/ASCAP. BYA0108016, "Tales of the Magic Tree"/"Calypso". This device is linked to the letter of the fictionalized eighteenth-century Russian composer Pavel Sosnovsky (based on the historical Maxim Berezovsky), which is read aloud in Tarkovsky's 1983 film Nostalghia and which characterizes the ways in which artists can feel like puppets in a spectacle orchestrated by political forces beyond their control. Russian poet Andrei Gorchakov (Oleg Yanovsky) gets homesick and tries to save the world in Andrei Tarkovskys NOSTALGHIA. 2014. By continuing, you agree to the Privacy Policy and He also learns that Domenico had a family and was obsessed in keeping them inside his house in order to save them from the end of the world, until they were freed by the local police. Meanwhile, Gorkachov is beset by powerful feelings of homesickness as he wanders through the ruins of the countryside and meets a doomsaying mystic (Erland Josephson). Verified reviews are considered more trustworthy by fellow moviegoers. After the Bolshevik Revolution, Chesnokov was forced to abandon composition of sacred music, owing to sanction against such activity by the anti-religious Soviets. Stay up-to-date on all the latest Rotten Tomatoes news! Kovcheg, Minsk. BYA0110015, "Windophonia". This 10-digit number is your confirmation number. Vincent Canby of The New York Times said that Tarkovsky "may well be a film poet but he's a film poet with a tiny vocabulary. Its also about light and dark, as Tarkovsky and cinematographer Giuseppe Lanci explore chiaroscuro effects, often incorporating candles to create mesmerizing glows and elongated shadows while alternating between color, sepia, and black-and-white. At last, he succeeds and dies. was broadcasted by: Belteleradiocompany Symphony Orchestra conducted by Anatol Lapunov ("Krewa", "Francisk", "Wedding"), Peter Vandilovsky ("Tales of the Magic Tree"), Erki Pehk ("Tales of the Magic Tree", "Winterra"), Alexander Sosnovsky ("Munchausenshow"), Capella "Sonorus" conducted by Alexej Shut ("To Gods Mother", "Heart of Jesus", "Songs for Christmas"), "Classic-Vanguard" conducted by Vladimir Baidov ("Tabulatura Vilnensis", "Ul"), Cologne Chamber Orchestra conducted by Christoph Maria Wagner ("Tales of the Magic Tree"), State Academic Symphony Orchestra of Belarus conducted by Jury Efimov ("Krewa"), Victor Dubrovsky ("Francisk"), Gennady Provatorov ("Tales of the Magic Tree"), State Chamber Orchestra of Belarus conducted by Peter Vandilovsky ("Concertino-Barocco", "Consort Lessons", "Stabat Mater", "Calypso"), St. Kristoforo Chamber Orchestra conducted by Donatas Katkus ("Concertino-Barocco"), "Metamorphose" String Orchestra conducted by Pavel Lubomudrov ("Le Grand Cahier","Tales of the Magic Tree"), "Gradus ad Parnassum" Chamber Orchestra of the Belarusian Academy of Music, conducted by Peter Vandilovsky ("Le Grand Cahier", "Consort Lessons"), "MuzzicDom Orchestra" conducted by Ivan Kostyakhin ("Consort Lessons"), "Olympia Classic" Symphony Orchestra conducted by Mikhail Snitko ("To Gods Mother"), Zurich Chamber Orchestra conducted by Stefan Meier ("Concertino-Barocco"), "Young Belarus" Symphony Orchestra conducted by Michael Kozinetz ("Concertino-Barocco"), Wind Orchestra of the Glinka State Belarusian College of Music conducted by Victor Babarikin ("Taurus"), Lake Superior Chamber Orchestra conducted by Warren Friesen ("Consort Lessons"), "Syrinx" Flute Ensemble conducted by Nina Avramenko ("Swifts on the Wind"), Belteleradiocompany Mixed Choir conducted by Victor Rovdo ("Wedding", "Gathering Saturday"), "Grajna" Mixed Choir conducted by Nikolaj Kashuro ("Wedding"), "Orienta" Girls Choir conducted by Elena Guliaeva (Missa "Gregorianica"), Polozk Chamber Choir conducted by Ludmila Zhukova ("Gathering Saturday", Missa "Gregorianica"), Shirma State Belarusian Capella conducted by Ludmila Efimova (Missa "Gregorianica"), "Unia" Male Choir conducted by Cyrill Nosaev (Missa "Gregorianica"), "Salutaris" Chamber Choir conducted by Olga Janum ("Gathering Saturday"), "Concordia" Choir conducted by Galina Kazimirovskaja (Missa "Gregorianica", "To Gods Mother", "Heart of Jesus", "Hymnes De Saint-Martin"), "Khorikos" Chamber Choir conducted by Jesse Peckham (Missa "Gregorianica"), Cecile Broche, electro-violin ("My-O-My"), Alexej Afanasiev, cello (Missa "Gregorianica"), Maria Zinkovich, oboe ("Rondo Ricercari"), Alexander Jaskelchik, bass clarinet ("Canzonetta"), Cyprian Baszynski, trumpet ("Jazz Graffiti"), Evgeny Latte, trumpet ("Raft of Odisseus"), Pawel Piec, baritone saxophone ("Jazz Graffiti"), Sergej Falevich, trombone ("Raft of Odisseus"), Grzegorz Jakiela, drums ("Jazz Graffiti"), Pavel Belsky, guitar ("Intavolatura", "Rondo Ricercari"), Eugeny Gridzuszko, guitar ("Intavolatura"), Han Jonkers, guitar ("Intavolatura", "Filix"), Oleg Krimer, piano ("Perpetuum Mobile and Passacaglia"), Alexander Muzykantov, piano ("Perpetuum Mobile and Passacaglia"), Tatiana Starchenko, piano ("Calypso", "Freken Bok Tango", "Cherry Orchard"), Alexander Milto, organ ("Stabat Mater", "Francisk"), Ksenia Pogorelaja, organ (Missa "Gregorianica"), Rostislav Vygranenko, organ (Missa "Gregorianica"), Victor Kisten, organ (Missa "Gregorianica"), Jamilia Amandurdyeva, mezzo-soprano ("Stabat Mater"), Oleg Gordynetz, bass ("Francisk", Missa "Gregorianica"), "Concertino-barocco" for string orchestra. Even though Nostalghia is generally not considered Tarkovskys best film, it surely is his most personal. In less than a year following its completion, Tarkovsky's own life began to re-semble closely the life of his film's protagonist, as he would live in exile . Of his use of dream sequences, to the question asked by Gian Luigi Rondi: A realism of dream, like that of Mirror? Tarkovsky answered: There isnt 'realism' on the one hand, and on the other hand (in contrast, in contradiction) 'dreams.' 13 followers 14 connections. 2014. This is a reference to one of Guerra's collaborations with, Sosnovsky is modeled on Ukrainian composer, "Nostalghia.com | The Topics:: Tarkovsky talks to Gian Luigi Rondi, 1980", Andrey Tarkovsky in Nostalghia (1984)|MUBI, "Nostalghia.com | The Topics:: Tarkovsky interviewed by Natalia Aspesi at Cannes, 1983", Nostalghia.com An Andrei Tarkovsky Information Site, The Films of Andrei Tarkovsky: A Visual Fugue, https://en.wikipedia.org/w/index.php?title=Nostalghia&oldid=1134384637, Articles containing Russian-language text, Creative Commons Attribution-ShareAlike License 3.0, This page was last edited on 18 January 2023, at 12:05. Kovcheg, Minsk. He enters the empty pool and repeatedly attempts to walk from one end to the other without letting the candle extinguish, as he experiences signs of his illness. A boy untangles his dad's mental illness. Gortchakov has travelled to Italy on an extended research expedition to retrace the emigrant journey of an acclaimed eighteenth century Russian composer named Pavel Sosnovsky who, despite achieving international recognition away from his homeland, eschewed fame and returned to the humble life of a feudal serf, only to sink further into despair . Apparently, they do not appear as heroes but can sacrifice themselves for bigger causes and the well-being of society. While visiting the hot springs pool of St. Catherine in Bagno Vignoni, Gortchakov becomes intrigued by the presence of an eccentric old man named Domenico (Erland Josephson) who once imprisoned his family for seven years in an apocalyptic delusion. who is in Italy researching a book on eighteenth-century Russian composer Pavel Sosnovsky, and Eugenia, his Italian translator (Domiziana Giordano), have driven to a remote church to look at a fresco of the Madonna of Childbirth. We must fill the eyes and ears of all of us with things that are the beginning of a great dream. Eugenia attempts to engage him in a conversation over Arseni Tarkovskys (Tarkovskys father) poetry, but Gortchakov dismisses the book, reasoning that the simple act of translation loses the nuances of the native language. Gortchakov, accompanied by his translator, Eugenia (Domiziana Giordano), has travelled to the hills of Tuscany to see Piero della Francescas Madonna of Childbirth, but upon arriving, becomes disinterested in the attraction, and forgoes the church visit. However, he revisits the pool in Bagno Vignoni, which has been drained out recently, and he tries hard to keep his promise to Domenico. "A capella I" for mixed choir. Andreis family members in the Russian countryside are merged with their imaginary existence in the Tuscan hills. The combined choir of singers from Belarus, Greece, Latvia, Lithuania, Russia, Switzerland, Estonia (360 singers on stage) and "Olympia Classic" Symphony Orchestra conducted by Mikhail Snitko. Your email address will not be published. Gorchakov soon meets Domenico, himself in a state of perpetual exile, having locked up his family for seven years to avoid the apocalypse and today . Join Facebook to connect with Pavel Sosnovsk and others you may know. 8.0 (27,580) Russian writer Andrei has come to the Tuscan countryside to research composer Pavel Sosnovsky. He has faith. and asks Eugenia to act as an intermediary. We spend a third of our life asleep (and thus dreaming): what is there that is more real than dreams?[10], Tarkovsky spoke of the profound form of nostalgia which he believes is unique to Russians when traveling abroad, comparing it to a disease, "an illness that drains away the strength of the soul, the capacity to work, the pleasure of living", but also, "a profound compassion that binds us not so much with our own privation, our longing, our separation, but rather with the suffering of others, a passionate empathy. The ostensible reason for his trip is to research a biography of an 18th-Century serf composer, Pavel Sosnovsky, who escaped to the West and won acclaim but, unable to bear separation from his homeland, returned, surrendered himself and ultimately committed suicide. His education was extensive: his first advanced studies were at the Moscow School of Church Music (he graduated in 1895); he next worked privately with composer Sergey Taneyev and later studied at the Moscow Conservatory (graduating in 1917), where his list of teachers included Mikhail Ippolitov-Ivanov. We want to hear what you have to say but need to verify your email. Meanwhile, the film credits scroll up over the scene. His creativity was being restricted to an unwanted limited boundary. Back at their hotel Andrei feels displaced and longs to go back to Russia, but unnamed circumstances seem to get in the way. Litvinovsky Music/ASCAP. Nostalgia demands patience -- and rewards the investment with a hypnotic viewing experience that finds Tarkovsky in gratifyingly uncompromising form. Join Facebook to connect with Pavel Sosnovsky and others you may know. Through this constructed image, Tarkovsky depicts the divisions and confusions within humans as a whole and Andrei is not just a separate example. The final shot shows Andrei and a dog resting on the ground of Abbey of San Galgano, with a countryside with a wooden house in the background. Andrei along with his beautiful interpreter Eugenia (Domiziana Giordano) travels to visit a convent in the hilly countryside of Tuscany in order to see the frescoes by Piero Della Francesca, but he changes his mind at the last moment and does not enter. The film opens with a credit sequence in black and white, that we later learn is a memory of the Russian writer Andrei Gorchakov (Oleg Yankovsky), who, in the present (and color) has driven across Italy with a beautiful red haired assistant and translator, Eugenia (Domiziana Giordano), and arrived at a fogged in hamlet to study the life and . So, Tarkovsky was not happy and content filming in Soviet Russia anymore. ISMN 979-0-804500-09-7, "Filix" for flute and guitar. This page has been accessed 20,276 times. The Circus: Inside the Greatest Political Show on Earth: Season 8, The Lord of the Rings: The Rings of Power: Season 1, Link to Marvel Movies Ranked Worst to Best by Tomatometer, Link to 10 Black Women Filmmakers Who Have Shaped the Cinema Landscape of the 21st Century, Link to 10 LGBTQIA+ Women Who Became Trailblazers in Entertainment. ISMN 979-0-804500-36-3, "Krewa" for symphony orchestra. 2015. The screenplay, which is written by the famous Italian screenwriter Tonino Guerra and Tarkovsky himself, mostly contains philosophical and spiritual dialogues. An addict takes care of his niece for a night. [2], The film depicts a Russian writer (Oleg Yankovsky) who visits Italy to carry out research about an 18th-century Russian composer, but is stricken by homesickness. It is interesting to note that the visit to the pool of St. Catherine proves to be the catalyst that spurs Gortchakov to action. He eventually committed suicide, due to the effect of nostalgia . Tarkovsky, in Kovcheg, Minsk. Litvinovsky Music/ASCAP. Beethovens ninth symphony resonates with the scenes when Andrei visits Domenicos house and Domenico delivers a philosophical, emotional, and very important speech in Rome. Later, Domenico delivers a speech in the city about the need of mankind of being true brothers and sisters and to return to a simpler way of life. Andrei takes him seriously and engages in a deep conversation with him inside his house during a heavy downpour. Synopsis:To investigate the life of Russian composer Pavel Sosnovsky, Andrei Gorkachov (Oleg Yankovsky) goes to Italy, where Sosnovsky resided before his suicide. 2014. During the Soviet era, Chesnokov was better known as a choral conductor than composer. Andrei decides at the last minute that he does not want to enter. " "" 10 (379) 01.10.2014 - 31.10.2014. Andrei Tarkovsky, the exact contemporary of the French filmmaker Francois Truffaut (1932-1986), made only seven feature films during his 30-year career, but their prestige has elevated him to almost mythical status. SaM Solutions, +1 more Belarusian State University of Informatics and Radioelectronics Pavel Sosnovsky . Kovcheg, Minsk. Articles copied from Draft Namespace on Wikipedia could be seen on the Draft Namespace of Wikipedia and not main one. ISMN 979-0-804500-37-0, "Consort Lessons" for chamber orchestra. All of the week's new articles, all in one place. The composer, Pavel Sosnovsky, lived there before coming back to Russia to commit suicide. Finally, he plays the fourth movement of Beethovens Ninth and immolates himself. 2011. The film Nostalghia tells the story of a poet, Andrei Gorchakov who came to Italy to research the life of the Russian serf composer Pavel Sosnovsky. He claims that he can save the world if he succeeds in crossing the pool with the lighted candle. Separated from his family, far from his homeland, and now alone, Gortchakov slips further into a state of profound isolation and unrequited longing, his own spiritual nostalghia. Mirrors and doorways offer limitless possibilities as rain falls and puddles form, both inside and outside. Before leaving, Domenico gives Andrei his candle and asks him if he will cross the waters with the candle for him. , and to receive email from Rotten Tomatoes. Litvinovsky Music/ASCAP. (The model for the fictional Sosnovsky was Maximillian Beryozovsky, an 18th-century Ukrainian composer.) Pavel Sosnovsky is a Freight Analytic Department Head at Metal Expert based in Sugar Land, Texas. Tarkovsky co-wrote the screenplay with Tonino Guerra. Litvinovsky Music/ASCAP. Eugenia enters the convent and asks the priest why women are more devout than men. It tells the story of Russian writer Andrei Gorkachov who goes to Italy to investigate the life of an 18th-century composer. We must listen to the voices that seem useless. 16 13 1 13 " . [4], Donatella Baglivo filmed a ninety-minute documentary on the making of the film titled Andrei Tarkovsky in Nostalghia (1984), which includes interviews with cast and crew. Articles By Pavel Sosnovsky. Historically, the therapeutic hot springs pools of Bagno Vignoni were constructed to alleviate the suffering of the ill. Chesnokov was a devout follower of the Russian Joining Gorkachov on his journey through Tuscany is his interpreter, Eugenia (Domiziana Giordano), who develops an interest in her client that is more than professional. Kovcheg, Minsk. A spiritual teacher has a mental breakdown. Apr 2010 - Jan 20165 years 10 months. Just leave us a message here and we will work on getting you verified. Starring: Oleg Yankovsky, Erland Josephson, Domiziana Giordano, Della Baoccardo. Sosnovsky's story within the film is a mirror in which Gorchakov can better perceive his own nostalgia. The closing image begins as a medium shot of Andrei sitting with his dog in the Russian countryside of the opening scene. Chesnokov became so distraught over the cathedral's destruction that he stopped composing altogether. Museum of Arts & Design By creating an account, you agree to the Synopsis. Join to connect SaM Solutions. 2009. If you are an Australian resident, any donations over $2 are tax deductible. ISMN 979-0-804500-1-27, "Consort lessons" for chamber orchestra. Get the freshest reviews, news, and more delivered right to your inbox! [8], Anatoly Solonitsyn was initially cast as Andrei Gorchakov, but died from cancer in 1982, forcing Tarkovsky to seek a new protagonist. Kovcheg, Minsk. Andrei Gorkachov, a Russian poet, is traveling to Tuscany, Italy, to explore the life of an 18th-century Russian composer, Pavel Sosnovsky. Andrei says he has, although that is not true. A Russian poet named Andrei Gorchakov (Oleg Yankovsky) travels to Italy to research the life of the 18th-century Russian composer Pavel Sosnovsky who spent a few years in Italy and committed suicide after returning to Russia. Joining Gorkachov on his journey through Tuscany is his interpreter, Eugenia, who develops an interest in her client that is more than professional. He implores Gortchakov to perform a seemingly innocuous task that he, considered mentally unstable by the villagers, is unable to execute: to cross the pool of St. Catherine with a lighted candle, as part of a greater redemptive design. 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[10], According to Tarkovsky, while shooting the film he realized that he would be able to express "something distinctive", which he believed he couldn't in his previous films for only then he had become aware that "a film can make the inner life of its author visible", and, thereby, he "expanded into [himself]."[12]. A photographer joins the Soviet resistance. The poet is supposedly there researching deceased composer Pavel Sosnovsky, but instead he becomes enamored with a deranged vagabond he meets (Domiziana Giordano), and, filled with a longing for . Regal It was to be filmed in Italy with the support of Mosfilm, with most of the dialogue in Italian. He does not shy away from the supreme sacrifice to make this world a better place. He was a prominent Trotskyist and member of the left opposition who was executed for his opposition to Joseph Stalin during the Great Purge. Soloists: Tatyana Gavrilova and Olga Malinovskaya (Cantata "To Gods Mother"), 2019 May 26, Gallery "", Minsk (project "Immersion", Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaya), 2019 July 24, Cathedral of the Blessed Virgin Mary, Minsk (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaya), 2019 October 1, Belteleradiocompany, Radio Channel Culture ("Munchausenshow" premiere of the suite performed by the Belteleradiocompany Symphony Orchestra, conductor Alexander Sosnovsky), 2020 July 6, Belteleradiocompany, Radio Channel Culture ("The Adventures of Prantish Vyrvich, a Scalar and a Spy" music for the radioshow based on a novel by Ludmila Rubleuskaya). Nostalghia, (Class: 15) a film about the Russian writer Andrei Gorchakov (Oleg Yankovsky) travels to Italy to research the life of 18th-century Russian composer Pavel Sosnovsky, runs on January 15. When he visited Italy to begin studying the project of Nostalghia with Tonino Guerra, as they visited cities, Tonino would show him Renaissance architecture, art, monuments, and he admired them, and would take notes, but what struck him the most was the sky, the blue sky, black sky, with clouds, with the sun, at dawn, at noon, in the evening. Litvinovsky Music/ASCAP. 2010. 2014. Meanwhile, Andrei goes to the drained pool. He also learns that Domenico had a family and was obsessed in keeping them inside his house in order to save them from the end of the world, until they were freed by the local police after seven years. Pavel Chesnokov was arguably the foremost Russian composer of sacred choral works during his time. ISMN 979-0-804500-38-7, "To Gods Mother" for soloists, mixed choir and chamber orchestra. 11/21/2022 9:27 PM. Pleasant Rd, Toronto, ON. 'Nostalghia' narrates the tale of a Russian writer Andrei Gorchakov who travels to Italy in order to unmask the life and times of Pavel Sosnovsky, a Russian composer who lived during the 18 th century. Back . Each time, he finds new resources, disclosing, in labyrinths of style, unknown sources of inspiration, admiring and being pleased by the magnificence of each detail.[1] (Musical critic Svetlana Beresten), 1978 1982 Minsk State Musical College: Musicologists Diploma, 1982 1987 Belarusian State Academy of Music (Minsk): Composers Diploma (class of Prof. Dmitry Smolsky), 1989 1991 Belarusian State Academy of Music (Minsk): Post-graduate Composer's Degree (class of Prof. Dmitry Smolsky), 1993 Summer Course for Composers (Poland) directed by Krzysztof Penderecki (Poland), Michael Nyman (Great Britan), Louis Andriessen (Holland), Fransois-Bernard Mache (France), 1995 Summer Course for Composers (Poland) directed by Martin Bresnick (USA), Daryl Runswick (Great Britain), Sylvano Bussotti (Italy), Sigune von Osten (Germany), 2000 Acanthes/IRCAM Musical Computing Workshop directed by Jonathan Harvey (Great Britan), Tristan Murail (France) and Martin Matalon (France), 2001 Musical Computing Workshop in the State University of Music and Performing Arts Stuttgart (Germany) directed by Matthias Hermann and Marek Choloniewski, 2001 Electroacoustic Music Studio of the Academy of Music in Krakow, Poland, 2006 Omi International Arts Center, Ghent, NY USA, 2008 Electroacoustic Music Studio of the Academy of Music in Krakow, Poland, 1990 Member of the Belarusian Union of Composers, 2004 Member of the American Society of Composers, Authors and Publishers (ASCAP), 2005 Member of the International Confederation of Electroacoustic Music (ICEM/CIME) in Bourges (Polish section), 1981 "Perpetuum Mobile and Passacaglia" for piano, 1982 "Concertino-Barocco", suite for string orchestra, 1987 "Wedding" ("Wiaselle"), cantata for soloists, mixed choir and symphony orchestra, 1988 "Gathering Saturday" ("Zbornaja Subotka"), cantata for soloists and mixed choir, 1990 "Francisk", mistery for bass and symphony orchestra, 1990 "Zbieg" for flute, oboe, violin, cello and piano, 1991 "Intavolatura", suite for guitar (CD), 1992 "Tabulatura Vilnensis", cycle of pieces for chamber ensemble, 1993 Electronic compositions: "Ra", "Night Bells", "Styx"," Fairy of Tides", "Suspense", 1995 "Gregorianica", missa for male choir, 1996 "Hymnes de Saint-Martin" ("Oculis Et Manibus", "Au Milieu Des Nuages") for mixed choir, 1996 "To Gods Mother" ("Da Maci Bozaj"), cantata for soloists, mixed choir and chamber orchestra (CD), 1997 "Filix", sonata for flute and guitar (CD), 1997 "Heart of Jesus" ("Serca Jezusa"), cantata for mixed choir and chamber orchestra (CD), 1998 "Stabat Mater", cantata for mezzo-soprano and chamber orchestra (CD), 1998 "Songs for Christmas" ("Pesni na Bozaje Naradzennie"), cantata for soloists, mixed choir and symphony orchestra (CD), 1998 "Rondo Ricercari", triptych for flute and guitar (CD), 1999 "Consort Lessons", suite for chamber orchestra (CD), 2001 "Tales of the Magic Tree", cycle of pieces for string orchestra (CD), 2001 "In-Ta-Vo-La-Tu-Ra", electroacoustic performance, 2001 "Ballads of Faron", electroacoustic remix, 2002 "Canzonetta" for tuba (or cello/oboe/bassoon/bass clarinet) and electronics (CD), 2002 "Calypso", concerto for piano and string orchestra (CD), 2003 "Traffic in Open Sun", cycle of pieces for quartets of homogeneous low wind instruments: tubas, trombones, bassoons (CD), 2005 "Raft of Odisseus", concerto for trombone, French horn, trumpet and string orchestra, 2006 "My-O-My", 10 electroacoustic compositions (CD), 2008 "Jazz Graffiti", 12 electroacoustic compositions (CD), 2011 "Wedding", music for the stage production by Witold Gombrowiczs play, 2012 "Dziady", music for the stage production based on a poem by Adam Mickiewicz (CD), 2012 "Oedipus Rex", music for the stage production based on the tragedy of Sophocles, 2013 "Arabian night", music for the stage production by Roland Schimmelpfennigs play, 2013 "Karlsson-on-the-Roof", music for the stage production after Astrid Lindgrens book, 2013 "The Dance of Death", music for the stage production by August Strindberg's play, 2014 "Ribbons on the Corners", music for the stage production by Gregory Oster's play, 2014 "The Golden Key", music for the stage production by Alexej Tolstoj's fairy tale, 2014 "The Wolf and the Seven Little Kids", music for the stage production based on the folk tale, 2014 "The Wolf and the Seven Young Goats, suite for violin and string orchestra, 2015 "Narmahnar", music for the stage production by Mykola Kulish's play "Folk Malahy", 2015 "Le Grand Cahier", music for the stage production after Agota Kristof's novel, 2015 "Le Grand Cahier", suite for string orchestra, 2015 "Puss in Boots", music for the stage production after Charles Perrault's fairy tale, 2015 "Puss in Boots", suite for trumpet and piano, 2015 "The Snow Queen", music for the stage production after Hans Christian Andersen's fairy tale, 2016 "The Lower Depths", music for the stage production by Maxim Gorkys play, 2017 "Small Demon", music for the stage production based on the novel by Fedor Sologub, 2017 "Tale of the Fisherman and the Goldfish", music for the stage production based on the poem by Alexander Pushkin, 2017 "New Land", music for the stage production based on the poem by Yakub Kolas, 2017 "Snow White", music for the stage production based on the fairy tale of the Brothers Grimm, 2018 "My Dads a Birdman", music for the stage production based on the play by David Almond, 2018 "Journey to the Land of Ants", music for the radioshow based on the play by Tatyana Mushinskaya, 2018 "The Adventures of Tom Sawyer", music for the stage production based on the novel by Mark Twain, 2018 "Cherry Orchard", music for the stage production based on the play by Anton Chekhov, 2018 "The Boy Who Swam with Piranhas", music for the stage production based on the play by David Almond, 2018 "Inclusion", music for the documentary film, 2018 "The Great Journey of Prince Nicholas Christopher Radziwill Orphans", music for the documentary film, 2019 "Cherry Orchard", suite for piano and chamber orchestra, 2019 "Pelleas and Melisande", music for the stage production based on the play by Maurice Meterlink, 2019 "Munchausenshow", suite for symphony orchestra, 2020 "My Dad's a Birdman", suite for piano and chamber orchestra, 2020 "Master Cat", suite for trumpet and string orchestra, 2020 "The Adventures of Prantish Vyrvich, a Scalar and a Spy", music for the radioshow based on a novel by Ludmila Rubleuskaya, 1990 Minsk Music Spring, International Festival, Grand Hall of the Belarusian State Philharmonic ("Francisk" performed by Oleg Gordynetz (bass) and the State Academic Symphony Orchestra of Belarus conducted by Victor Dubrovsky), 1991 Concert of New Belarusian Music, Chamber Hall of the Belarusian State Philharmonic ("Intavalotura" performed by Eugeny Gridzuszko (guitar), 1992 Concert of the Belarusian Barocco, Chamber Hall of the Belarusian State Philharmonic ("Tabulatura Vilnensis" performed by "Classic-Vanguard" conducted by Vladimir Bajdov), 1993 International Youth Music Forum in Kiev, Ukraine ("Wir" performed by the Quartet of the French Corns under direction of Ivan Babik), 1994 Concert of the Modern Belarusian Music, Chamber Hall of the Belarusian State Philharmonic ("Ul" performed by "Classic-Vanguard" conducted by Vladimir Bajdov), 1994 International Youth Music Forum in Kiev, Ukraine ("Ul" performed by the String Quintet under direction of Igor Andrievsky), 1994 Recital, Chamber Hall of the Belarusian State Philharmonic (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), 1995 Choral International Neuchatel, Switzerland ("Wedding" performed by "Grajna" Mixed Choir conducted by Nikolaj Kashuro), 1996 Florilege Vocal De Tours, France (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), 1997 International Jugend-Festspieltreffen Bayreuth, Germany ("Concertino-Barocco" performed by "Young Belarus" Symphony Orchestra conducted by Michael Kozinetz), 1998 Recital, Chamber Hall of the Belarusian State Philharmonic (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), "Stabat Mater" performed by Jamilia Amandurdyeva (mezzo-soprano) and Alexander Milto (organ) , "Francisk" performed by Oleg Gordynetz (bass) and Alexander Milto (organ), 1999 Festliche Konzerte zum Neuen Jahr in Zurich, Switzerland ("Concertino-Barocco" performed by the Zurich Chamber Orchestra conducted by Stefan Meier), 1999 Youth Music Days in Druskininkai, Lithuania ("Concertino-Barocco" performed by the St. Kristoforo Chamber Orchestra conducted by Donatas Katkus), 1999 ISCM World Music Days in Bucharest, Romania ("Ul" performed by "Aperto" Ensemble), 2000 Ankara Cokseli Muzik Dernegi, Turkey (Missa "Gregorianica", "Gathering Saturday" performed by the Polozk Chamber Choir conducted by Ludmila Zhukova), 2000 Gaude Mater International Festival of Sacred Music in Czestochowa, Poland (Missa "Gregorianica" performed by "Unia" Male Choir conducted by Cyrill Nosaev), 2000 Minsk-2000, International Piano Contest, obligated National piece ("Perpetuum Mobile and Passacaglia" performed by Alexander Muzykantov (piano), 2000 National Orchestral Contest, obligated piece for wind orchestra ("Taurus" performed by the Wind Orchestra of the Minsk State Musical College conducted by Victor Babarikin), 2000 Recital, Uladzislaw Golubok Hall, State Museum of Theatre and Music Culture ("Perperuum Mobile and Passacaglia", "Faron", "Filix", "Intavolatura"), 2000 International Rostrum of Composers in Amsterdam, Netherlands ("Zbieg"), 2000 Choral International Neuchatel, Switzerland ("Gathering Saturday" performed by "Orienta" Girls Choir conducted by Elena Guliaeva), 2001 March 22, Grand Hall of the Belarusian State Philharmonic ("Consort Lessons" performed by the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2002 February 26, Chamber Concert, XIII Belarusian Composers Forum ("Faron" performed by Alexej Jaskelchik (clarinet), 2002 March 2, Symphony Concert, XIII Belarusian Composers Forum, Grand Hall of the Minsk Philharmonic ("Tales of the Magic Tree" performed by the State Academic Symphony Orchestra of Belarus conducted by Gennady Provatorov), 2004 Minsk Gold Autumn, International Festival, Belarus ("Stabat Mater" performed by Jamilia Amandurdyeva (mezzo-soprano) and the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2004 Minsk Gold Autumn, International Festival, Belarus ("Calypso" performed by Tatiana Starchenko (piano) and the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2005 ISCM Concert, Chamber Hall of the Belarusian State Philharmonic ("Canzonetta" performed by Roman Dokunihin (tuba), 2006 August 12, Music Omi Concert in Ghent, USA ("My-O-My" performed by Carsten Radtke (guitar) and Joseph Daley (tuba), 2006 August 14, Music Omi Concert at the Players Theatre, Manhattan, New York, USA ("My-O-My" performed by Carsten Radtke (guitar) and Joseph Daley (tuba)), 2006 December 3, Orchestra Concert of the Belarusian Composers XIV-th Forum, Chamber Hall of the Belarusian State Philharmonic ("Raft of Odysseus"), 2008 February 28, Intermedia I Concert, Akademia Muzyczna, Krakow, Poland ("My-O-My"), 2008 June 25, Intermedia II Concert, Akademia Muzyczna, Krakow, Poland ("Jazz Graffiti"), 2008 November 24, Concert "Baroque Mood", Grand Hall of the Belarusian State Philharmonic ("Consort Lessons" performed by the State Chamber Orchestra of Belarus conducted by Peter Vandilovsky), 2008 November 27, Audio Art Festival, Akademia Muzyczna, Krakow, Poland ("Jazz Graffiti"), 2008 December 21, Recital, Concert Hall of the Belarusian Composers Union ("Jazz Graffiti"), 2009 October 17, Gaude Polonia Concert, Zamek Ujazdowski Centre of Modern Art, Warszawa ("Jazz Graffiti"), 2010 April 15, Streams International Festival of New Music, Abtei Brauweiler, Cologne, Germany ("Tales of the Magic Tree" performed by the Cologne Chamber Orchestra conducted by Christoph Maria Wagner), 2010 April 16, Streams International Festival of New Music, Abtei Brauweiler, Cologne, Germany ("Canzonetta" for cello & electronics performed by Judith Ermert (cello), 2010 October 4, Symphony Concert in the Studio of BTRC, Minsk ("Tales of the Magic Tree" performed by the Belteleradiocompany symphony orchestra conducted by Erki Pehk), 2010 October 28, Muzyka z Pradem, Akademia Muzyczna, Poznan, Poland ("Jazz Graffiti" performed by Anna Zelinska (violin), 2010 December 23, One Night in December International Festival, Einav Culture Centre, Tel Aviv, Israel ("Jazz Graffiti" performed by Anna Zelinska (violin), 2011 February 13, XIV Lutoslawski Forum, Warsaw Philharmonic, Poland ("Jazz Graffiti" performed by Anna Zelinska (violin), 2011 May 26, Minsk Puppet Theatre ("Wedding" music for the stage production by Witold Gombrowiczs play), 2011 June 26, Forfest Festival, Museum of Kromeriz, Czech Republic ("Jazz Graffiti" performed by Anna Zelinska (violin), 2011 November 16, Minsk Trade Union Palace, Concert of the Male Choir "Unia" conducted by Cyrill Nosaev (Missa "Gregorianica"), 2012 October 27, Minsk Radio Studio ("Winterra" performed by the Belteleradiocompanys orchestra conducted by Erki Pehk), 2012 November 2, Minsk Puppet Theatre ("Dziady" music for the stage production after Adam Mickewiczs poem), 2012 November 25 Minsk Triennale BelExpoArt-2012 (Recital), 2012 November 28, Minsk Philharmonic ("Calypso" performed by Tatiana Starchenko (piano) and the Chamber Ensemble), 2012 November 30, Kurgan Puppet Theatre ("Oedipus the King" music for the stage production by Sophocles's play), 2013 March 13, Janka Kupala National Theatre ("Arabian Night" music for the stage production by Roland Schimmelpfennigs play), 2013 May 1, Cork International Festival, Ireland ("Gathering Saturday" performed by "Salutaris" Chamber Choir conducted by Olga Janum), 2013 July 4, Gdansk, Poland (Missa "Gregorianica" performed by Victor Kisten (organ), 2013 November 8, Habarovsk Puppet Theatre ("The Dance of Death" music for the stage production by August Strindberg's play), 2014 March 8, Ortus The Khorikos International New Music Competition, Concert of the Winners, Church of St. Anthony of Padua in Soho, New York ("Quoniam Tu Solus Sanctus" from missa "Gregorianica" performed by "Khorikos" Chamber Choir conducted by Jesse Peckham), 2014 April 6, Molodechno Puppet Theatre ("Ribbons on the corners" music for the stage production by Gregory Oster's play), 2014 April 26, Minsk Puppet Theatre ("The Golden Key" music for the stage production after Alexej Tolstoj's novel), 2014 December 20, Minsk Puppet Theatre ("The Wolf and the Seven Little Kids" music for the stage production based on the folk tales), 2015 February 15, Perm Puppet Theatre ("Narmahnar" music for the stage production by Mykola Kulish's play "Folk Malahy"), 2015 May 29, Perm Puppet Theater ("Le Grand Cahier" music for the stage production by Agota Kristof's novel), The Golden Mask Award (Russian National Theatre Award) Best Puppetry Production of the Year, 2015 May 29, Minsk Philharmonic ("Canzonetta" for bass clarinet and electronics performed by Alexej Jaskelchik (clarinet), 2015 August 29, Church of the Nativity of the Blessed Virgin Mary, Zaslauje (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaja), 2015 September 19, Perm Puppet Theatre ("Puss in Boots" music for the stage production after Charles Perrault's fairy tale), 2015 October 4, St. Anne's Church, Warsaw (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaja), 2015 November 23, Minsk Trade Union Palace ("Tales of the Magic Tree" performed by "Metamorphose" String Orchestra conducted by Pavel Lubomudrov), 2015 December 19, Perm Puppet Theatre ("The Snow Queen" music for the stage production after Hans Christian Andersen's fairy tale), 2015 December 29, Minsk Philharmonic ("The Wolf and the Seven Young Goats" performed by Jasha Shapiro (9 years old) and Belteleradiocompanys orchestra conducted by Andrey Galanov), 2016 March 21, Mogilev Puppet Theatre ("The Lower Depths" music for the stage production by Maxim Gorkys play), 2016 May 7, International Choir and Orchestra Festival, Lloret de Mar on the Costa Brava, Spain (Missa "Gregorianica" performed by "Concordia" Chamber Choir conducted by Galina Kazimirovskaja), 2016 August 27, Minsk, Classics on the Tower Square ("Consort Lessons" performed by "MuzzicDom Orchestra" conducted by Ivan Kostyakhin), 2016 October 19, Belarusian State Academy of Music, Minsk (Suite "Le Grand Cahier" ("Thick Notebook") performed by the Student Chamber Orchestra conducted by Peter Vandilovsky), 2016 November 27, Belarusian State Philharmonic, Minsk (Suite "Le Grand Cahier" ("Thick Notebook") performed by the "Metamorphose" String Orchestra conducted by Pavel Lyubomudrov), 2016 December 24, Belarusian State Puppet Theatre, Minsk (music for the stage production "Christmas Story" based on the novel by Charles Dickens), 2017 March 11, Perm Puppet Theatre ("My name is Lek" music for the stage production based on the story by Andrea Sophie Yannus "Ling"), 2017 March 22, Mogilev Regional Puppet Theatre ("Blue-Blue" music for the stage production based on the story of Vladimir Korotkevich), 2017 April 18, Easter Festival, Belarusian State Academy of Music, Minsk, (Suite "Consort Lessons" performed by the Student Chamber Orchestra conducted by Pyotr Vandilovsky), 2017 April 22, Ulyanovsk Puppet Theatre ("Munchausenshaw" music for the stage production based on the play by Grigory Gorin "The Same Munchausen"), 2017 April 22, Mogilev Puppet Theatre ("Little Red Riding Hood, narrated by the Grimm brothers" music for the stage production based on the fairy tale of the Grimm brothers), 2017 June 2, Krasnoyarsk Puppet Theatre ("The Little Devil" music for the stage production based on the play by Fedor Sologub), 2017 June 4, Bialystok Puppet Theatre, Poland ("The Tale of the Old Man and the Goldfish" music for the stage production based on the poem by Alexander Pushkin), 2017 June 9, Montpellier Choral House, France ("Au mieie des nuages" performed by "Le chur Francis Poulenc" and "Concordia" Choir, conductor Pasqualino Frigo), 2017 June 10, Church of St. Joseph in Castres, France ("Oculis et manibus" performed by "Le chur Francis Poulenc" and "Concordia" Choir, conductor Galina Kazimirovskaya), 2017 June 26, Istra City Drama Theatre ("The Death of Tarelkin" music for the stage production based on the play by Alexander Sukhovo-Kobylin), 2017 June 29, Concert Belarus Poland, 25 years of good neighborliness, Belarusian State Philharmonic Society, Minsk (Suite "Concort Lessons" performed by the State Belarusian Chamber Orchestra conducted by Oleg Lesun), 2017 July 28, Concert at the residence of the World Bank in Belarus ("Concertino-Barocco"), 2017 September 20, Brest Puppet Theatre ("New Land" music for the stage production based on the poem by Yakub Kolas), 2017 September 26, Minsk State College of Music (meeting-presentation of the book by Svetlana Beresten Alexander Litvinovsky profession composer. 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